Controlling Our Reactor
Project, blame, enrage and ensnare. It’s a tried and true formula that’s been working for so long, that they will keep using it. Unfortunately (for them), there are more of us that see right through it. Hence, they are reacting and responding.
This Sunday’s show delved into plans and back-up plans, and engineering systems to account for all the minds that slip through the best laid plans that mice or men can compose:
Yes, we’ve been had and played for fools, but it’s better to let them freak out about us knowing than us to freak out and react to their agitators.
Their tiny little fingerprints are everywhere: “Adam Lindemann revives ailing art careers with his tears, planning an exhibit of Betty Tompkins’ porn paintings at Art Basel Miami. Betty Tompkins started making fuck paintings in the late 60s, from her first husband’s porn collection, partly in response to what she saw as a complete lack of engagement in the work on the Upper East Side. She’s painted masturbation, vaginas with cows grazing, and dicks larger than the human head. She’s painted two cocks at the same time. She’s painted dicks in the butt. She’s painted a vagina like a soft, glowing peach. She’s done it all.”
And, I’m not advocating a complete trance-like indifference as has been proposed by some of their agents and operatives. We can see, finally, what they are doing.